You cannot see Mark Zuckerberg’s eyes. They are black and beady and surrounded by shadow. This is what I focused on for the better part of two hours. If David Fincher cast Jesse Eisenberg specifically for his brow bones, it would have been a genius move. His brows are always together. His lips are always pursed… or rather the bottom one is pursed and the top one pouts. This inbetweeness (an indecision of lips) is appropriate as Zuckerberg is always somewhere half way between emotions. He never fully displays any one. Showing emotion means showing your hand. Showing your hand makes you vulnerable, and Mark Zuckerberg hates vulnerability most of all. He is like a combination of Vito Corleone and […]
Who?
Follow
Search
-
Recent Posts
- The White Default
- Django Unchained
- Prince Avalanche
- The Wandering Spiritual Nomadic Couchsurfer of Sundance
- Things at Sundance
- Wes Anderson’s Arrested Development
- Be back soon…
- Tim and Eric’s Billion Dollar Movie! (and more)
- Keira Knightley’s Vagina (A Dangerous Method)
- Pasolini’s Accatone
- Chaz & Kartina: Marrakech Film Festival
- Ebert Presents: Race and the Movies
- Certified Copy
- This is the Problem: Writing About Film
- Ebert Presents: Lars Von Trier’s Golden Heart Trilogy
- Drive
- Attack the Block
- Ebert Presents: Who’s That Knocking At My Door
- The Tree of Life
- Badlands
- Addy : The Sound of Music
- The Cinema: Deadly & Holy
- That Darn Cat
- A Myrna Loy Story
- Jake : Fame
Tags
1930s Abbott & Costello Andrei Tarkovksy Andrews Sisters Bill Robinson Birth of a Nation Cary Grant Childhood Citizen Kane Danish Disney Dogme Ebert Presents Elmer Bernstein Foreign Howard Hawks Italian Jack Cardiff Judy Garland Luchino Visconti Martin Scorsese MGM Musical Myrna Loy Natalie Wood Paul Mazursky Person : Movie Race Race in film RKO Robert Bresson Robert Mulligan Steve McQueen Sundance Sven Nyquist Technicolor Ted Lewis Teenagers Tempers Tennessee Williams Terrence Malick Theatre Thomas Vinterberg To Kill a Mockingbird Vincente MinnelliArchive