Count Luchino Visconti di Modrone is my beloved. Grand and operatic. Never fearing the theatrical or taboo (but never vulgar for vulgarities sake). You see, we are exactly alike. The Count was an interesting man. A member of the Italian aristocracy and the Italian Communist Party. He was open with his homosexuality, and photographs men in a way unlike any other directors I’ve seen. He showcases their beauty. Le Notti (based on the Dostoevsky short story) has an unusual cast, all actors I associate with different directors simply because I saw them in other movies first. Marcello Mastroianni (Fellini’s man), Maria Schell (Rene Clement’s girl), and Jean Marais (Cocteau). Schell (with the most expressive eyes) plays Natalia, an innocent girl […]
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